Author: Janelle Ureta
Walker Review: Fine is a Four Letter Word (Season 1 Episode 8)
The conflict at the heart of Walker Season 1 Episode 8, “Fine is a Four Letter Word,” is a delicious one: whether and how to tell the truth to the ones you care about most when the truth leaves you vulnerable to pain. Read on for our review!
Walker Review: Tracks (Season 1 Episode 7)
Instead of moseying into Walker’s past, Walker Season 1 Episode 7, “Tracks” takes us to the trolley crossroads of Micki’s childhood, but the backstory ultimately crashes. Read on for our review!
A Discovery of Witches Review: Episode #2.10 (Season 2 Episode 10)
Unfortunately, A Discovery of Witches Season 2 Episode 10, “Episode 2.10,” is a massive let down. Read on for our review of the Season 2 finale!
Walker Review: Bar None (Season 1 Episode 6)
Kaboom! Walker Season 1 Episode 6, “Bar None,” drops three bombs in its last minute that blast us into a whole new type of storytelling. Read on for our review!
A Discovery of Witches Review: Episode #2.9 (Season 2 Episode 9)
It took until the penultimate episode, A Discovery of Witches Season 2 Episode 9, “Episode #2.9,” for the show to find its narrative flow, but it was worth the wait! Read on for our review!
A Discovery of Witches Review: Episode #2.8 (Season 2 Episode 8)
On A Discovery of Witches Season 2 Episode 8, “Episode #2.8,” Marcus and Phoebe take their flirtation to a whole new level and it is stunning. Read on for our review!
Superstore Review: Depositions (Season 6 Episode 10)
Jealous Dina is the best thing on Superstore Season 6 Episode 10, “Depositions.” Read on for our review!
Walker Review: Duke (Season 1 Episode 5)
Walker Season 1 Episode 5, “Duke,” is a happily over-the-top romp into undercover police work.
A Discovery of Witches Review: Episode #2.6 (Season 2 Episode 6)
Special effects are the best lead character on A Discovery of Witches Season 2 Episode 6, “Episode #2.6.” Read on for our review.
Walker Review: Don’t Fence Me In (Season 1 Episode 4)
Walker Season 1 Episode 4, “Don’t Fence Me In,” sweetly showcases partnership, but falls flat in its attempt at justice representation.










